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Abz, with the script of each performance incorporated into the corpus, would similarly complicate the ephemerality that has historically been accepted as axiomatic for theater. Does her definition of algorithmic theater resonate for you and your work, or do you have a different notion of what it might entail or what is at stake in the introduction of algorithms as collaborators.
Her project is broader than mine in that she is interested in algorithmizing all aspects and parts of performance. In contrast, I am focused on writing and how algorithms participate in staged writing processes.