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Both the photos and the prints resulting from 3-D imaging bear the marks of a painterly perspective, just as they share the characteristics of a social critical motivation. In the displayed pieces, he takes the signs of contemporary visual culture and, robbing them of their original context, uses them in a fractured, fragmented or transformed format to create new compositions.

Employing the methods of graphic and typographic design, and often using textual elements, he creates images that are laconic and lean, but also, at the same time, enigmatic.

Szarkas presentation of all this via the genre of painting is perplexing, as the style of painting is intentionally not sterile or perfectionist.